Saturday, August 22, 2020

Georgia O’Keeffe Essays -- Historiography

Georgia O’Keeffe is one of the most acclaimed and questionable painters known to America. As per workmanship pundit Lisa Mintz Messinger, â€Å"She [Georgia O’Keeffe] left behind a rich inheritance of American pictures that were attached to the land. These pictures and her own spearheading soul, built up a famous notoriety in America at an opportune time in her career† (Messinger 17). O’Keeffe is most popular for her huge works of art of blossoms, the New York horizon and scenes from New Mexico. Since the time Georgia O’Keeffe started giving her work in 1916, pundits have had various sentiments on what her canvases spoke to. Perhaps the greatest discussion with respect to her artworks has been whether her works of art were suggestive. The absolute greatest pundits of her works are Robert Hughes, Lisa Mintz Messinger, Katherine Hoffman and Georgia O’Keeffe herself. Each of the four of these individuals have helped shape O’Keeffe into a notorious figure of explicitly charged artistic creations. Georgia O’Keeffe first came into the lime light after her companion Anita Pollitzer presented some of O’Keeffe’s attempts to the celebrated Alfred Stieglitz (Hoffman 5). Indeed, even from these first charcoal drawings, pundits saw the sensuality in her centerpieces. Perhaps the greatest pundit of her work is the prominent Robert Hughes. In his book, American Visions: The Epic History of Art in America, Hughes investigates American artists’ works, including O’Keeffe. As per Hughes, â€Å"Much ink has been spilled on the subject of whether O’Keeffe ever embarked to utilize explicitly genital pictures; she herself irately denied it, and particularly would not face any sexual translation of the huge close-ups of blossoms she painted in the twenties. To prevent the sexuality from claiming a composition like Black Iris III, 1926,... ...a Bricker. â€Å"Review: Stieglitz.† Stieglitz 55.2 (1996): 105-106. Web. 23 October 2009. Cowart, Jack, et al. Georgia O'Keeffe: Art and Letters. Washington; Boston: National Gallery of Art; New York Graphic Society Books, 1987. Print. Hoffman, Katherine, and Georgia O'Keeffe. An Enduring Spirit: The Art of Georgia O'Keeffe. Metuchen: Scarecrow Press, Inc., 1984. Print. Hughes, Robert. American Visions: The Epic History of Art in America. first ed. New York: Alfred A. Knopf, Inc., 1997. Print. Messinger, Lisa Mintz, Metropolitan Museum of Art, and Georgia O'Keeffe. Georgia O'Keeffe. New York: Thames and Hudson Inc.; Metropolitan Museum of Art, 2001. Print. Middleton, Ken.â€Å"1920’s: American Women through Time.†www.frankmtsu.edu. N.d. Web. 25 Sep. 2009. â€Å"Introduction to Modern Art.† metmuseum.org. The Metropolitan Museum of Art. 18 June 2009. Web. 25 Sep. 2009.

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